What is the resolution and bitrate of low, medium and high resolution? Right-click and you will see a Proxy option. 264 proxies are a good solution since they are so small and most computers. Picture: Casey Faris. It follows the settings for bit rate. Auto-suggest helps you quickly narrow down your search results by suggesting possible matches as you type. But there is still something that need to be done. . It is designed to be used in high quality offline editing that needs low data rates but full-resolution video. 264. 264 MP4, VP8 WebM, or ProRes QuickTime format. One of the requirements of the new Proxy functionality in 2015. 97 frames per second. 264 make good proxy codecs (cineform is rather large and h. Apple ProRes 422 Proxy. So when you're creating proxies for being easier on your machine, why throw one of the hardest codecs to decode as your proxy format? It doesn't make sense. 9 and later versions, we can now choose proxy files that are 1/2, 1/4 and 1/8 the resolution of the master file using either H. Look at the GB/hr column and multiply it by the number of hours of. If it is a screen recording, best practice would be to transcode to an editing codec like ProRes or DNxHR so it eliminates any possibility of variable frame rate and you enjoy a better editing experience overall. Proxy clips: low resolution in Cineform mov. Apple ProRes 422 Proxy. The target data rate of Apple ProRes 422 Proxy is approximately 45 Mbps at 1920 x 1080 and 29. You can select from the ProRes Codec list and the ProRes Color Profile :こんばんは、裕中54229743 さん 私、初めて知る症状ですので、原因は分かりません。 改善するか分かりませんが、他のプリセット（CineForm Low Resolution ProxyやProRes Low Resolution Proxy等）で試してみたらいかがでしょうか。 ※CineForm Low Resolution Proxyは動作が軽く推奨されるとAdobe文書に記載があっ. Much like the H. Looking at the media encoder output, I saw it - 8375094Do you really need to know? This is an estimate of the quality offered by each of the Proxys options and the truth is that speaking of Proxys I would say that any of those options will work for you because in the end you will have to exchange with the original files to export in high quality. The way I created the proxies is, right click on the clip -> proxy -> create proxy and then I select "quicktime" and ProRes Low resolution. 4. These are the fixes i have implemented that are meant to improve playthrough performance: proxies created for each file and turned on (I used quicktime ProRes low resolution proxy) playback resolution set to 1/4. When you're done editing and want to Reconnect to the 4K media,. On Premiere Pro 14. H. ProRes proxy is extremely low quality. 97 fps. Pro-res will look a little better, but will be giant in file size, so since it's for proxies, I prefer h. Please use proxies other than Medium and struggle with those black bars while editing. We would like to show you a description here but the site won’t allow us. With RAW kind of footages, such as Blackmagic RAW, RED R3DRAW, Prores RAW, ARRI RAW, Canon RAW,. . However, these will bog down your system faster than ProRes proxy. 0, right clicking a video file in the bin and selecting "Make Proxy" now shows "ProRes Low/Medium/High Resolution" but no longer shows the resolution of each as in earlier versions of Premiere. Upvote Translate. mov. of course pixel dimensions effect file size. mkv files screwing up the works. Know Your Formats. Then we have the brand spanking new ProRes 4444 XQ, which has all of the above with this gem: Target data rate of approximately 500 Mbps for 4:4:4 sources at 1920x1080 and 29. The proxies are ok, and rendered. The -profile switch takes an integer from -1 to 5 to match the ProRes profiles: -1: auto (default)You can also attach existing proxy files to full-resolution media in the Project Panel. control click and choose proxy: create proxy: format:quicktime: and choose preset: prores low resolution proxy. Choose a destination for your. A proxy and an intermediate codec are not quite the same thing. With FCP X 10. ProRes data rates vary based on oodles of factors like frame rate, video resolution, Chroma subsampling, color depth, etc. Votes. . 264 to download, but if your drives are fast enough it'll be a much better. That'll take 12-36x longer than H. As long as you create the Proxies through Premiere, it won’t mess with your Sequence settings. 264 is terrible to. Typically to calculate aspect ratio of an image you divide the horizontal resolution by the vertical resolution, for Full HD that would be ‘1920 ÷ 1080 = 1. Auto-suggest helps you quickly narrow down your search results by suggesting possible matches as you type. Proxies are lower resolution and/or alternatively compressed files that are much easier on your computer. We shot on Sony A7 III, the movie files are H264 (1080p). Proxies can be shared with clients or be generated in camera or with other software (RED cameras come to mind). All having to do with maintaining 8 separate mono tracks. You just need to ensure that you set your sequence to the desired frame size. ago. Less of a hard time of it's a low resolution proxy, but the tradeoff is multiple editors can work on it at the same time. com Choose QuickTime, and then either the ProRes Low Resolution Proxy or the ProRes Medium Resolution Proxy preset. This preset uses a frame size of 1024*540 (1. When using lower res playback, and using intraframe media like ProRes, Cineform, and DNx, that media can be "reduced" in size for playback during decompression, typically without any real re-computing. Interframe vs Intraframe compression. Choose Quicktime as the Format and ProRes Low Resolution (Proxy) as the preset. 4. the other way to reduce file size is to reduce the pixel dimensions. But even though the Toggle Proxies button is enabled in the. For viewing on a 1080 monitor, editing 4k footage on a 1080 timeline has. 0, right clicking a video file in the bin and selecting "Make Proxy" now shows "ProRes Low/Medium/High Resolution" but no longer shows the resolution of each as in earlier versions of Premiere. This delivers smoother playback without sacrificing the resolution or. • Apple ProRes 4444 : il s’agit d’un format de codec Apple ProRes de très haute qualitéAlpha Channel support. Many users run with ProRes proxy as it does well enough visually and plays back great. Try the LT. Here are some common resolutions and my proxy resolution recommendations: UHD(4k) 3,840x2160. 97 fps. -If you have a newer Mac, Resolve Lite can make nice edit proxies for you at any resolution short of 4K, for free. Head there and click Create Proxies. Being: UHD+4K MXF files being the full resolution source files, from there ProRes low res proxies were created. Ideal for multicam editing and on-set previsualization, or other workflows requiring low data rates but full. 264 Low Resolution Proxy. As a bonus it can put a nice look on SLog2 edit proxies using LUT from F65 forum or ACES. This preset uses a frame size of 1024*540 (1. On Premiere Pro 14. Aug 09, 2018. Card1, Card2, etc. Camera is recording 4 mono channels, and h264 mp4 proxies are with other audio layout. As long as the Adorb Media Encoder preset maintains tha audio channels, it's fine to - 13579978 I made it mainly so that the 360p proxy files wont take as much space as a higher resolution would, but somehow the ProRes Low Resolution preset created a proxy that retained the original resolution and is smaller in size? How is that even. Small file sizes. Interpret footage settings are all good, following Square 1. On Premiere Pro 14. Voici ma configuration : iMac Pro 2017 Processeur : 3 GHz Intel Xeon W 10 - 14211057According to Apple’s ProRes White Pater, ProRes Proxy intended for use in offline workflows that require low data rates but full-resolution video. (The smallest Cineform I could get was more like 100Mbps) If you wanted to actually calculate the size you can use the equation: File Size = Bitrate * Time, where the time is seconds and the bitrate is Mbps. More Data Always Means Better Video Quality. BTW: Check the size of the main folder and proxy. The default setting of ProRes Medium Resolution Proxy is a good choice for most projects. The popularity of Apple's Final Cut software suite has encouraged uptake of the codecs. So, if you want to compare codecs like ProRes vs DNxHD, ProRes vs Cineform, DNxHD vs. Still delivers full-resolution video but is even more highly compressed with a. Very basically, HD is Rec 709. H. Not all tools can output H. However, it takes 12 HOURS to create a proxy for a 1920x1080 (2-hour length) file. 3 GB, and I transcoded them to ProRes 422 LT; - 13165271 Adobe Community All community This category This board Knowledge base Users cancelProRes is a codec technology developed by Apple for high-quality, high-performance editing in Final Cut Pro. Smaller files have reduced image quality, but are ideal when media needs to be shared between remote editors. In the preset selection, browse for the new ingest preset created. 264/H. Best is not to choose H. It is the successor of the Apple Intermediate Codec and was introduced in 2007 with Final Cut Studio 2. But usually choose the half resolution. The projected data rate is roughly 45 Mbps at 1920x1080 and 29. 264 to ProRes altogether, but keep in mind, if the H. When ProRes Proxy is enabled, the ProRes menus are enabled. The setting. ProRes vs H. I hope that helps! Open Adobe Media Encoder and navigate to the preset browser in the lower left of the screen. 264 or H. 0, right clicking a video file in the bin and selecting "Make Proxy" now shows "ProRes Low/Medium/High Resolution" but no longer shows the resolution of each as in earlier versions of Premiere. ProRes 422 Proxy or LT would typically be a reduction in quality. H. Also, its data rate is most likely at 45 Mbps at 1920x1080 and 29. This will create a seperate folder containing the proxy files next to your original media location. Depending on the number of clips you have and the speed of your computer this could take a while. It intelligently analyzes your computer’s hardware configuration and automatically adjusts Resolve’s image processing under the hood. The footages are converted to Rec 720. Below are screenshots of Avid DNxHD 175x 10-bit produced by Adobe Media Encoder for a more fair comparison. 264 codec is widely used in video delivery/distribution. ) Since FCPX uses the terminology of "Proxy Media" which is in fact ProRes 422, but 1/4 "resolution" (1920x1080. You’ll notice that Premiere Pro has also preselected a few frame sizes for you. H. 264, it is hard to judge which one is better as each of them can be used as the best video codec under certain circumstances. Fact 1 – Apple ProRes – Low Compression = High Image Quality. Auto-suggest helps you quickly narrow down your search results by suggesting possible matches as you type. Then you need to choose the proxy resolution preset. On Premiere Pro 14. Cons of using proxy media. 264 isn't the right tool for multicam and your expectations for low bitrates are out of line. Please use proxies other than Medium and struggle with those black bars while editing. Moody Service Manager Ticket System; Moody Facilities WikiSo in the past when i've done this and I go to toggle on the proxy there is usually a vast difference to the resolution of the - 11295887. 264/H. The latter is better, but requires more work. 264. ProRes supports 10-bit so this won't matter if your footage is 10 bit. Adobe Support Community. Nun dauert das erstellen dieses Proxys mehr als 5 Stunden. 264 is rather slow) but that's okay. 5 percent to 100 percent of the original. 264 is not really a good choice for proxies - you really want to be using an intraframe codec or you're not gonna get the full benifits. These are the different resolutions of proxies. Prior to ProRes 4444, if you wanted Alpha Channel Transparency, you had to use Apple’s Animation codec. There are a total of six ProRes formats. 264 to download, but if your drives are fast enough it'll be a much better. Apple ProRes 422 Proxy: An even more highly compressed codec than Apple ProRes 422 LT, intended for use in offline workflows that require low data rates but Full HD video. In order of bit rate and potential image quality, these are: ProRes Proxy (smallest file size) ProRes 422 LT. You’ll have options to choose the resolution and format of your proxy here. Fri Feb 19, 2021 4:36 pm. If you create proxies in a too low resolution, there can be issues with color grading ; ConclusionBonjour à tous, J'ai un gros problème et j'espere que quelqu'un pourra m'aider. H. But i found that later I cannot reconnect full resolution media. If you do not use SCRATCH for grading, you have to transcde the KRW master files into more popular codec like ProRes. 0. Click “ Browse ” to open the folder. When you connect proxies, that will automatically engage, and you'll notice a MASSIVE performance boost in Premiere. atomos. Codecs include: DV; HDV; AVCHD;. 264 or ProRes Proxy codecs. (As a sidelight, proxy files are 1/4 the resolution of the camera native file. The H. As such ProRes is available in the following modes, from lowest quality to highest: ProRes 422 Proxy; ProRes 422 LT. Step 2: In the “ Master Settings ” tab, find the “ Working Folders ” section. Know Your Formats. Depending on the number of clips you have and the speed of your computer this could take a while. 0 and 10 bit is 4. Changing the playback resolution to a 1/2. Now the difference between a proxy and an intermediate codec is that a proxy is just used for offline editing because it is small in size and fast (due to low. The following formats are either legitimate proxy formats or file formats that can be used as proxies: Quicktime (R3D) - Proxies used in Red Cameras; a Quicktime (MOV) file with an . Apple ProRes 422 Proxy: An even more highly compressed codec than Apple ProRes 422 LT, intended for use in offline workflows that require low data rates but full-resolution video. I guess you will still insist on not understanding the importance of the proxy resolution. Using Proxy for quick low quality exports. I have upgraded to the new version of Adobe Premiere Pro 22. 8 (Mountain Lion) ouversion ultérieure. On Premiere Pro 14. What is the resolution and bitrate of low, medium and high resolution? Hello, There's been a lot of discussion about proxy workflows while maintaining multichannel audio, even on this forum. 97 fps. However Premiere is going to really struggle on your hardware, it's possible you're just running out of RAM, and. Post full comp specs. Votes. Reply. ProRes 422 Proxy. In my case MXF files coming from a Sony PXW-FX6 o. Remarque :le codec Apple ProRes 4444 XQ requiert OS X v10. This preset is intended for 4K footage such as the video used in this project. 4. I create Prores Proxy at 960p and clicked the proxy icon. If you are after smaller file sizes for your editing workflow sometimes low resolution h. So. Movie Recorder also generates GIF files. Back in Premiere. Auto-suggest helps you quickly narrow down your search results by suggesting possible matches as you type. ) the fact that you have to spend time transcoding and b. Here are my shaky assumptions. Hi, I am using the Quicktime Cineform Low Resolution proxy but play back is still choppy, although better than full sized files. Apple ProRes 4444 XQ offre un débit de données cible d’environ 500Mbit/s pour les sources 4:4:4 en 1 920 x 1 080 et à 29,97 ips. These formats range from extreme compression to minimal compression rates. Resolution of ProRes Low/Medium/High Resolution Proxies. And there, ProRes as an intraframe codec will play back much smoother than an H. Neil Right-click on a clip and select Proxy > Create Proxies; For Format, select Quicktime; For Preset, select ProRes Low Resolution Proxy; Check the Add Watermark box; Leave the destination as Next To Original Media, in prox folder; Press OK; Premiere will open media encoder and begin rendering proxies for all of your video clips. I always stash these in a folder called Low. Thank you for your reply. I decided to keep it next ot the original media inside of a folder. m4v or . Apple ProRes 422 Proxy. As with optimized media, using DNxHR SQ codec on a Windows client or ProRes 422 LT on a Mac is recommended. 0, right clicking a video file in the bin and selecting "Make Proxy" now shows "ProRes Low/Medium/High Resolution" but no longer shows the resolution of each as in earlier versions of Premiere. ) My Biases:However, if you’re shooting a project with a short turnaround time, you can’t go wrong with ProRes. Nvidia Geforce RTX 3070. Video is transcoded to either the Apple ProRes 422 Proxy or H. Once you have learned How to create it and. Two 20Tb hard drives (one for primary storage, one for a cloned backup scheduled on a nightly basis) in a Thunderbolt enclosure should come to about $1,000 and work really w. Its also not too big in file size. 264, which is smaller file size but as it's long-GOP it forces the CPU/RAM to work a LOT harder for every frame. -If you have a newer Mac, Resolve Lite can make nice edit proxies for you at any resolution short of 4K, for free. 264, it is hard to judge which one is better as each of them can be used as the best video codec under certain circumstances. By far the most common proxy codecs are DNxHD/DNxHR and ProRes. The target data rate of Apple ProRes 422 Proxy is approximately 45 Mbps at 1920 x 1080 and 29. The target data rate is approximately 45 Mbps at 1920x1080 and 29. If the codec has thrown away a large portion of the color. For you I'd say to go with the ProRes proxy codec at 720. Hey Sahink, Thanks for posting this! I tend to stay almost entirely in a proxy workflow all the way through until it's time to grade, so if we have a mix of aspect ratios, it's kind of nice knowing which proxy is appropriate from the get go, just to save a bit of time. 4444. For the smallest proxies, you could create H264 proxies at a lower resolution. Using proxies can have another benefit : rendering time !. 264. Proxy files increase editing performance and take up considerably less storage space than optimized files. This will cost. The target data rate of Apple ProRes 422 Proxy. 使用PR建立Proxy代理剪辑4K影片与ME输出代理共计6条视频，包括：1 理解什么是Proxy代理剪辑、2 代理剪辑-复制并创建代理方式、3 代理剪辑-AME预设与PR预设等，UP主更多精彩视频，请关注UP账号。. H. Auto-suggest helps you quickly narrow down your search results by suggesting possible matches as you type. This codec maintains HD data rates below 36 Mbps, yet like its higher-rate Apple ProRes 422 siblings, it supports full-frame, 10-bit, 4:2:2 video. Step 2: In the “ Master Settings ” tab, find the “ Working Folders ” section. Then, select Create Encoding Preset. 0. Performance Mode is a fantastic feature that was recently added to DaVinci Resolve. gpu acceleration turned on for video rendering and playthrough. Joined: Fri Dec 23, 2016 1:47 am. How do I go about using an ingest preset that doesn't caused black bars?Select proRes Low Resolution proxy; Add watermark ( I'll explain later) Select destination: Next to original Media, in Proxy folder; Click ok; This will open the media encoder and create the proxies. That'll take 12-36x longer than H. You can find dozens of resources concerning ProRes data rates, but most of. As a bonus it can put a nice look on SLog2 edit proxies using LUT from F65 forum or ACES. It's late and I'm done looking at Premiere for the evening but I can say I often use the default ProRes Low Resolution Proxy preset in the ingest settings. Best used with Apple machines and apps. Proxies are lower resolution copies of your media that are created in one of two ways – either by transcoding raw media to an intermediate codec or by simultaneous. I would test with a more performant proxy codec by using ProRes LT or Proxy from the get go. As you can see, blocky. Apple ProRes 4444 XQ offre un débit de données cible d’environ 500Mbit/s pour les sources 4:4:4 en 1 920 x 1 080 et à 29,97 ips. The Cineform proxies are actually smaller than the 4K - UHD footage. If space is a big constraint for you, then the lowest resolution (low bit rate file) DNxHR LB should do the job for you. With that said, I don't - 11499177Yes, Ann, you are most correct. After several attemtps creating different proxies with a reduced resolution, I circumvented the Adobe proxy method and just exported the same media using ProRes 422 Proxy and kept the resolution intact. However, I didn't really find a one-way solution to my specific question. If your master files have more than two channels of audio, even if one or more of those extra audio channels is empty, use either ProRes Proxy or DNxHR LB codecs for your proxy files. I'm having a problem when I proxy footage from Premiere Pro. 97 fps. No guarantees, but worth some testing. It is because of audio channel layout. Report. Auto-suggest helps you quickly narrow down your search results by suggesting possible matches as you type. The human eye cares mainly about contrast and seldom notices low color resolution, but the greenscreen extraction process relies primarily on color values. These are the fixes i have implemented that are meant to improve playthrough performance: proxies created for each file and turned on (I used quicktime ProRes low resolution proxy) playback resolution set to 1/4. Thefeno • 1 yr. While using Proxy try using more efficient codecs like Apple ProRes instead of h. A few misconceptions there. Upvote. The options allow for users to choose what level of visual quality they want from the proxy, low, medium, or pretty much visually the same. ProRes Transcoding by SCRATCH. • Apple ProRes 4444 : il s’agit d’un format de codec Apple ProRes de très haute qualitéA 1024px * 576px proxy at 6mbps, even in Rec 709, would be fine for me. But even though the Toggle Proxies button is enabled in the. It has a high bit-rate, which means it retains excellent image resolution. H. so you can choose a low-bitrate codec. Here is a screen capture of the lag. Adobe Support Community. Any of the low resolution presets will work ok as long as it is Quicktime, I just found cineform to be the smoothest on my machine. 422. Use which one works adequately for. If you want the best,. In that case, you can create your own proxy file presets. Showing results for Show only | Search. Here's one document and here's another . 264 Low Resolution Proxy then Preview I-Frame Only MPEG? If I choose the Prores Low Resolution Proxy, what preview should I choose? Extra question: is it a good idea to first transcode the mp4 to Prores 422 and then make a Prores Low Resolution Proxy from that (takes 6x more space) or to make a Prores Low Resolution Proxy straight. Re: Basic stuff: Proxy, optimized and 1080 timeline for 4k. UHD is Rec. Edit: In my case I have a full SSD with Arri ProRes 4444 files and didn’t want to spend time and disc space on creating even more prores files, so Timeline. 0, right clicking a video file in the bin and selecting "Make Proxy" now shows "ProRes Low/Medium/High Resolution" but no longer shows the resolution of each as in earlier versions of Premiere. Even set the "Open in low resolution" option via get info from the Premiere App. You could also create your own custom proxy presets. Going down to 960x540 is probably in the 12-36Mbps range depending on the frame rate. 4. The downsides ultimately are: a. Apple ProRes 422 Proxy: This is most compressed version of ProRes 422 and provides low data rates with full-resolution video. For Preset, select ProRes Low Resolution Proxy; Check the Add Watermark box; Leave the destination as Next To Original Media, in prox folder; Press OK; Premiere will open media encoder and begin rendering proxies for all of your video clips. I've just gone to create some and the preset names have changed to low/medium/high. Adobe Support Community. NOTE: The different presets for low, medium, and high resolution are intended for video with different frame sizes. Apple literature highlights the value of Apple ProRes 422 Proxy in support of post-production work, stating that it is “intended for use in offline workflows that require low data rates but full-resolution video. For 99% of material you won't be able to see any difference between ProRes LT and the other more bandwidth-intensive flavors. In the dialogue box, set your custom options and hit OK. Then it opens media encoder and creates the proxy. Certain formats are difficult to work with and making prores proxy files may give you better performance. Head there and click Create Proxies. It is because of audio channel layout. low data rates but full-resolution Virtually never Virtually never Virtually rare Rare Subtle for high-detail images 4444 422 HQ 422 422 LT 422 Proxy Description The Encoding. When I transcode my footage to ProRes Proxy at 1920x1080, keeping source aspect ratio & frame rate, my proxies get squashed vertically. Apple ProRes 422 Proxy: An even more highly compressed codec than Apple ProRes 422 LT, intended for use in offline workflows that require low data rates but Full HD video. Apple ProRes 422 Proxy is an even more highly compressed codec than Apple ProRes 422 LT, intended for use in offline workflows that require low data rates but full-resolution video. Both inside and outside of Premiere. Proxy files increase editing performance and take up considerably less storage space than optimized files. . ) Thing is, once you eliminate the interframe part of h. That means we can choose a preset that’s optimized for high editing speeds and low disk space. I wonder if that has something to do with the bit depth ? maybe 8 bit is 4. But i found that later I cannot reconnect full resolution media. -Resolve will create 1080P or 720P proxies. That brings us to the iPhone 13 Pro and its 10-bit 4:2:2 ProRes HQ codec. What is the resolution and bitrate of low, medium and high resolution?Because companies publish their own specifications in different formats, it can be difficult to compare codecs directly. Create proxy media: This option creates video proxy files. Step 2: Tap Settings → Resolution. (And in your case, better source material. Problem is when I use the button to turn the proxies on, there's MORE lag. I don't know if I've been clear enough, I apologize for my poor English. Now you can color correct and export at 4K resolution. Proxy clips: low resolution in Cineform mov. Resolution on ProRes File: 2944 x 2160 When we apply the same calculation as above to obtain the ‘desqueezed resolution’ the equation is ‘(2944 x 2) x 2160 = 5888 x 2160’. 264 format. In simple words, Apple ProRes codec is designed for post-production while H. The ProRes codecs use a variable bitrate compression scheme that is designed to preserve image quality while minimizing file size. we recommend exporting using Apple ProRes 422. . 4 ??When combined with an ATOMOS HDMI device, the RAW video output from the X-H2S can be recorded as 12-bit Apple ProRes RAW at frame sizes up to 6. In your post, you found "Apple ProRes is a high-quality, lossy video compression format developed by Apple Inc. (all CalArts presets are in ProRes 422 Proxy), see the Making Additional Proxy Presets below. However, I've generated what I thought were pretty low data rate proxies: ProRes 422 Proxy, at half resolution and I am still getting pretty slow playback. I'm just doing basic editing, cutting & such. ) that the files take up more space. 2020 or 2100 (The HDR variant of 2020). 264 codec is widely used in video delivery/distribution. The latter is better, but requires more work. The videos are 3840x2160, MPEG-4, HEVC, 24 fps shot on my android phone through FilmicPro. With proxy, optimized is not needed. “Proxy Handling” provides you options to select “prefer proxies, disable proxies and prefer camera originals”. ProRes 4444 XQ DNxHR 444 DNxHR HQ DNxHR HQX DNxHR SQ CineForm 10bit CineForm 12bit All three of these codec families are industry standards, but ProRes is certainly the most widely used across camera and external recorder manufacturers. 97 fps. Thanks for the humongous help!! Alternatively, the difference between 4K h. Step 1: Go to “ File ” and select “ Project Settings ”. To the eye it looks like a low contrast (flat), slightly desaturated image. Auto-suggest helps you quickly narrow down your search results by suggesting possible matches as you type. 2.